HEADS UP, FOLKS, THE INDIANS ARE COMING!

…And the comic book industry will never be the same again!

Over the last twenty years or so, I’ve had the pleasure to work for some of the biggest and greatest names in the world of comic books, but it’s been a long time since I felt as excited as I did last week, when I paid a flying visit to Delhi to see the crazy gang at Campfire, one of India’s hottest and greatest graphic novel publishers.

I’m currently writing a new, top secret and hush-hush graphic novel for Campfire and was thrilled to accept an invitation to visit the offices to discuss the art, script and procedure for the book.

From the moment I stepped out of the airport to be met by angelic Andy Dodd, Campfire’s maestro of marketing, my senses were in a whirl. Words can’t describe the sights, smells and sounds of Delhi. I guess the best I can do is sum it up as overpowering. Think of a cross between Ridley Scott’s Blade Runner and a scene from Conan the Barbarian and you might just about get it.

Jet-lagged, I was ushered into Castle Campfire, where I was greeted by awesome Aditi Ray, Campfire’s ultra-cool editor-in-chief and introduced to the team, which included sultry Sukanya Mehta, who has the onerous task of making sense of my ramblings and turning them into a graphic novel that will shake the universe. Then I was escorted down into the dungeons to meet an incredible team of artists, including the amazing Amit Tayal, whose past work includes Campfire’s take on the Jungle Book and Ali Baba and the Forty Thieves. I’ve got to say it’s not often you find your self surrounded by so much talent in one small place.

A trip out for lunch introduced me to yet more of the delights India has to offer, although hindsight tells me I should have known better than to accept a glass of jal jeera from Campfire’s rascally Reema Singhal. For those of you who have yet to experience this dubious pleasure, let me tell you that jal jeera looks like a glass of swamp water, with bits of sweet corn floating on top of it. I assured myself that there was no way it could possibly taste as foul as it looked and prepared myself for a pleasant surprise. Alas, I was proven wrong. Rumour has it that jal jeera has taken top place over water boarding as one of the CIA’s main methods of getting suspected terrorists to talk. I’ll be taking it up with the UN to try and outlaw the practice.

Campfire’s web-weaving master of the internet, Rajat Malhotra then insisted on giving me an after dinner treat that came in the form of something unknown wrapped in a leaf, skewered on a cocktail stick, with a cherry on top. This delicacy is known as paan and as instructed I popped it in my mouth and began to chew. Juice and flavour erupted and the experience would have been delightful had Rajat refrained from telling me not to swallow, as the results could be fatal. Luckily, he told me he was kidding just before I drowned in juice.

In between meetings at Campfire, the gang took me out on the town and believe me, Delhi is like nowhere else on earth. It makes London look like a quiet country village, there’s craziness and beauty everywhere you look, and yet for me, the absolute highlight of the trip had to be my visit to Campfire itself. This company has gathered together a real army of titanic talent, all of whom take pride in their work and the company. They have no doubt that they will conquer and neither do I.

I expect great things from Campfire because they are unwilling to settle for anything less. I felt as if I was standing at the dawn of a new golden age of comic books, an age that I feel privileged to be able to play a small role in. Forget about the British invasion of comic book writers and artists. Look out, world, the Indians are coming!

Jason Quinn

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Into the Wonderland!

When young Alice follows the rabbit into a tunnel, neither she nor the reader has any clue of the wonderland she is about to enter. Lewis Carroll brings alive this amazing world of fantasy, magic, danger and surprises through the eyes of Alice. While walking with Alice, do you imagine what this wonderland looks like? How wide is the Cheshire cat’s smile? What kind of hat does the Mad Hatter wear? What does it look like to play croquet with flamingoes? Well, for those of you who want to see the wonderland, as well as read about it, Campfire has the perfect graphic novel.
In fact, Campfire has graphic novels on all kinds of subjects, which bring the stories to life through a combination of words and images. But, what are graphic novels?

What Are Graphic Novels?

Graphic novels are books which tell stories by using text and pictures together. This style of storytelling helps the reader to understand and visualise the story in an interesting and exciting way. Even the most reluctant readers become enthused by graphic novels. The illustrations support the text, and enable the reader to understand what is happening, even if they are not able to grasp the meanings of all the words.

Although graphic novels are read by people of all ages, Campfire ensures that their titles are particularly suitable and ‘safe’ for children and young people. In addition to the gripping and accurate visuals, the crisp dialogues and captions excite children and make them want to read more and more! So what is Campfire all about?

Who is Campfire?

Campfire is a Delhi-based graphic novel publisher that produces books for young people, children and the young at heart. They publish a range of graphic novel stories, which ensure that there is something for everyone, no matter what their interests. They:

- Adapt classics into the graphic novel format, ensuring the voice of the author and the flavour of the original are retained.

- Retell time-honoured stories from Indian and Greek mythology, enabling the reader to get to know characters such as Sita, Ravana and Ekalavya.

- Produce biographies of the most fascinating personalities from history, bringing them to life through words and images.

- Create their own fresh material, from modern-day action to historical fiction, from detective stories to contemporary thrillers.

Realising the effectiveness of this format, many schools in India and around the world have started using Campfire’s graphic novels – both for classroom learning and fun extra-curricular reading. Campfire has published over fifty graphic novels in the last three years, and there are plenty more in the pipeline.

You can find our more information about Campfire’s graphic novels here – www.campfire.co.in – and e-mail us at info@campfire.co.in should you want to contact us directly.

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What are Graphic Novels?

Graphic novels are descriptive work in which the story is communicated to the reader with the use of sequential art. This sequential art can depict the story in either the traditional comic format or by using various experimental design methods.
A graphic novel tells a complete story; one which has a beginning, a middle and an end, as opposed to a comic, which is normally part of an ongoing series.


How are graphic novels different to comics?

There are a number of prominent differences between graphic novels and comics.Generally, you’ll find that a standard comic book is thin, with a paper cover, whereas a graphic novel will probably appear much more substantial in size and content. As each comic forms part of a series, it begins, continues or concludes a story that has been addressed in earlier comics from the same series. Graphic novels, on the other hand, are normally longer and cover a story from the beginning to the end in one volume, following a very similar story arc to a ‘normal’ text-only novel.

The storytelling techniques used in graphic novels and comics are the same. However, the issues and themes that are addressed are often quite different. Comic series traditionally focus on superheroes and villains, which in itself throws up complex story lines. Graphic novels, on the other hand, tend to address a greater variety of genres – from biographies to adaptations of classic works, from war memoirs to mythological re-tellings and bible stories.

In short, the way the illustrations and text are presented in comics and graphic novels is very similar, but the kind of stories that are told, and the series versus single volume distinction are the main differentiating factors.

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FROM THE MOUTH OF BABES: A WORD ABOUT CLASSICS IN COMIC FORMAT

By Chris Wilson
Editor-In-Geek

If you’ve been around TGC for long, you have undoubtedly read one of my little diatribes about the importance of comic adaptations of traditional literature. I’m a minority among educators and lovers of literature in that I strongly support the use of comic adaptations especially for, but not limited to, younger kids.

I’ve made the case before that comic adaptations get kids interested in classic literature. It is that important step that leads youngsters to love the classics and enjoy studying them in high school. A few months ago, Campfire Comics started mailing me their comics –– all the way from India. Classic literature, mythology, biography and some original titles are part of the lineup. Of that, I mostly received mythology and classics.

I used my influence as a teacher ––which is based upon my work building deep and important relationships with my students –– to turn them on to Campfire’s comics. I displayed the titles on my book cart and talked about them at the beginning of the Hall of Heroes comic book club about three weeks ago.

Some of the kids had heard of these titles either from movies or from the librarian. I even had a lengthy conversation with one fourth grader about the connection of one of these adaptations to characters in the LEAGUE OF EXTRAORDINARY GENTLEMEN movie.

The kids snagged every single title save one from my book cart. I spent the next two weeks watching kids trade titles even before turning them back in. One morning I decided to interview them and see what they’ve been reading and what they liked. I put the video on YouTube but you can watch it below.

They took to the classics with more excitement than I had dreamed. Since that time, the Campfire comic adaptations of classic literature is still a hot commodity among my fourth graders. They love the stories.

The love of reading, my friends, is the ultimate key to life long reading and literature appreciation. It is my contention that when these kids get to high school and read some of these classics, they will not roll their eyes, grimace or groan at the prospect of reading some stuff old book. They will, having built a strong foundation for classic literature, will respond with “Oh, I know this story. It’s good. This will be fun.” They will then read the high school teacher’s assignment and be able to critically analyze it because of their pre-existing knowledge.

Comic adaptations are just that … adaptations. They are not to be feared as they are not designed to replace the classics. They simply offer scaffolding to the world of classics and give kids a stronger foundation on which to learn more, read more and get more out of literature.

I highly recommend Campfire’s comics. They do what they are intended to do and do it in a way that excites kids about classic literature. You can’t beat that with a stick.

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